Kreative Medien im Dialog

Die Spezifik des Dialogs wird sich auch darin zeigen, mit wie vielen Sinnen und mit wie vielen Medien hier die Selbstreflexion betrieben bzw. deren Ergebnisse manifestiert werden. Ohne den Einsatz kreativer Medien: Bilder malen, Skulpturen stellen, Raumsoziogramme, Beziehungsbrett, Tücher, Steine etc. als Symbole für Teilnehmer/Rollen/Redebeiträge usf. kann das Gespräch seine multimedialen Ressourcen nicht entwickeln. Es bleibt beim Austausch von Worten und insoweit in der Tradition der Buchkultur, die bekanntlich eine Prämie auf die Übersetzung jeglicher Information in das sprachliche Medium ausgesetzt hat.
Der Dialog als Zelle einer ökologischen Kommunikationskultur (cultural vision) nutzt die Gesamtheit der leiblichen Ausdrucksmedien.

Voices: Dialogue
	Heiner Benking's Inviting and Sharing ~ Voices and Views	Models based on and revealing the architecture of natural thought processes which enable thorough understanding and exploration of inner and outer  complexity from the perspective of being part of the picture.
Heiner has worked on some imaginative and innovative approaches to dialogue and group communication, which he calls the ‘Art of the Arts’. Drawing on a chaotically wide source of inspiration including the Paris Salon, the idea of the Round Table, and the work of Anthony J. N. Judge, he has developed some simple but radically effective techniques which threaten to reinvent the art of meetings and how we share context:
		His design of visually accessed embodied conceptual terrains can help to map and discuss "What and where we know" and to take specific positions in an overview or Cognitive Panorama - be member and part of Nature, instead of being restricted to the position of spectator, as typical for conventional world views. (see also ISSS Conference, The Club of Budapest Global Event No.3).
Time-Credits which entitle speech and which participants can use or give away to empower and invite others to speak.
The use of metaphors, to enable the deliberate exploration of world views, for example: spacial conceptualization, embodying, merging, and morphing of positions, topics, issues, and perspectives.		Heiner has played or tested ‘integral or diagonal thinking’ and the ‘Art of the Arts’ -Communication-  with children, women, men, scientists, economists, politicians, and philosophers. Beispiel aus: Seeds of Change - Heiner Benking’s Inviting & Sharing Voices and Views